12K camera

Watch a mesmerizing New York flyover shot with a 12K camera


Holland works with RED and was one of many first to get his palms on the brand new Monstro 8K VistaVision large-sensor digicam. “On a artistic stage I knew this was going to be good; Monstro’s strengths come within the type of nice coloration, dynamic vary, and really clear shadows. Which might work nice for low mild and night time,” Holland wrote on a blog concerning the challenge. He selected Tokina’s 35mm T1.5 lenses for his or her good low-light efficiency and a big picture circle.

Phil Holland

Taking pictures with three very excessive decision cameras from a helicopter presents some technical challenges, clearly. The K1 Hammerhead has a six-axis gyro to stabilize the digicam array and maintain the photographs regular. For the stitching to work correctly, they’d to determine the right amount of overlap, and the cameras needed to be synced utilizing RED’s Jetpack SDI module. “That is truly one of many first occasions I’ve ever seen this unhealthy boy used to most intent,” he stated. Read more

Camera choice was an interesting one as you can go a few directions here. Prior to this I have been filming 8K VistaVision aerials for about 2 years. It’s been my go to larger format for long form aerial work and producing amazing results. Turning this large format concept up a notch by have 3X 8K VVs in the K1 Hammerhead seemed like a pretty logical and somewhat jaw dropping choice. RED released the Weapon 8K VV Monstro camera right around this time. And there were were doing another first, putting 3X 8K VVs on their side and using them for the first time in a panorama array setup to create a very high resolution and large format system. On a creative level I knew this was going to be good, Monstro’s strengths come in the form of great color, dynamic range, and very clean shadows. Which would work great for low light and night. Read more

Phil Holland

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